The Book
Whether you’ve produced one or several films, the aim is to promote and market your film. There is no better way to achieve this than via film festivals. The trouble is it is a challenging and expensive path to tread. This book aims to provide you with insight and a strategy. This will improve your film’s chances of acceptance when Submitting To Film Festivals.
Making a film takes a great deal of investment in both time and money. After you have completed your movie, you have further costs. These are for distribution, and you have no choice if you want to get your film seen. So you have to factor in these costs at the outset.
Being accepted into film festivals is an independent filmmaker’s dream come true. It represents the best way of gaining acclaim and recognition for your work.
You will find valuable information about preparing your film. Plus, how festivals work and what they look for. You will also learn how to package your movie. With so many platforms to choose from, I have selected the most important at the moment. FilmFreeway is still considered the number one platform.
Our world has changed since the advent of COVID, but creativity and desire have not. Festivals and filmmakers want to and have to evolve. World economics are changing. How we live is changing. This we now take into consideration.
As a filmmaker and film festival director, I now understand the many mistakes I have made in the past. Regardless of your experience, this book will help you improve your success rate.
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Quotes From The Book
“If you understand the key areas that film festivals operate under, you will see they are (in the main) your friends and not the enemy.”
“The question of what you’re planning to do with your film comes at the start of the process and not at the end. Building awareness is not easy and getting it distributed successfully is difficult.”
“A great deal of work is carried out to reach the submission stage. You can’t afford to treat festivals as an afterthought.”
Dr. Isabella Hermann talks about Anthony Straeger
As an independent filmmaker, you submit your films to festivals. Sometimes you get accepted and you’re happy and even win an award. Sometimes your film is rejected and you are disappointed or even frustrated.This guide by Anthony Straeger details how you can be more often happy – And less often disappointed., and above all, more professional.
Three Important Points In The Book
1 – It shows you how to keep away from unsuitable or poorly organized festivals and find those that fit your work. This is good for everyone. For a transparent and well-organized film festival, rejecting a badly submitted film can be frustrating.
2 – The book instructs about what is important when submitting your film. This includes everything from the format, and subtitles to credits. It has a special focus on the top platform FilmFreeway.
3 – It advises you on marketing opportunities and how to act at the festival once selected. There’s a chapter on the important basics to look out for when making a film in the first place. Because that’s what it’s all about – making good films and showing them to people!
To Conclude
Anthony Straeger has over 30 years of experience in all aspects of the film business, so he knows both perspectives, what filmmakers want, and what film festivals need. I myself have learned how festivals work from his book (and him personally) since I was not involved in the film business until three years ago. As a political scientist, I do academic research on science-fiction, so I became engaged with the Berlin Sci-fi Filmfest, co-founded and co-lead by Anthony, where I also act as Co-Director now. I can say that Anthony is passionate about films, very motivating and refreshingly direct – that’s the supportive style of how this conclusive guide is written.
Dr. Isabella Hermann – Popular Political Science
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Only $12.50 for the paperback and $4.00 for the eBook at AMAZON.COM
Only £9.82 for the paperback and £3.00 for the eBook at AMAZON.CO.UK